BURKHARD REMMERS / WILKHAHN (DE)

Related Projects: Belgrade Design Week Festival 2010

The Belgrade Design Week was the best design conference I have ever enjoyed – the specific spirit of the city in a kind of in between status, the rough tension which can still be felt ten years after the bombs, the pride and the looking for new orientation especially in the young generation – all this is giving the BDW a special flair far away from the current events of the global design circus. In addition the enthusiastic organizational team trying hardly but unsuccessfully to keep the program along the schedules, the informal exchange between the international speakers, the loss of any discipline, the parties on the river … what ever and how ever the interrelations between these aspects are working – it makes the BDW an unique, likeable, inspiring and productive event, I will never forget.

Unlike virtually any other manufacturer in the office furniture industry, Wilkhahn stands worldwide for design made in Germany. It offers high-quality office and dynamic conference furniture which are benchmarks for the entire industry. Some 60 years ago, the company made better utility value, long-lasting design and durability its goals. Milestones like classic office chair FS-Line (1980), Confair folding conference table (1994), office chair Modus (1994) or skid-base chair Aline (2004) have shaped the way offices have evolved. The latest examples of pioneering innovations are the multi-purpose chair Chassis, the conference range Graph, or three-dimensional ON and IN which leading experts currently consider the world’s best office chairs.

Wilkhahn also sets new standards in terms of its socio-ecological approach. As winner of the German Environmental Prize, the company has worked with architects Frei Otto and Thomas Herzog and has actively been practising environmental responsibility for over 20 years. In addition to a number of international accolades, office chair ON has also received the Federal Ecodesign Award.

During the 10 year history of Normann Copenhagen, we have learned that passion for design and architecture is strongly connected to people and not places. Coming from a part of the world where DESIGN is almost part of your DNA and every household has a selection of Design Classics, does not guarantee that passion is found.   When coming to Belgrade for the BDW 2009 we found a dedication and passion at the highest level. We can only be jealous that such events, created with passion and real interest to push the viewers and visitors to the next level are not more commonly found in Denmark. That again is a tribute to the great efforts found behind BDW and we hope to be part of your events in the years to come.

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